Vaughan Williams: The Collectors Edition

• Artist:Various Artists  
• Label:EMI  
• Category:Music

• Seller:invise-uk
• Sales Rank:4,649
• Format:Box set, Collector's Edition
• Language:English (Unknown)
• Media:Audio CD
• Discs:30
• Shipping Weight (lbs):1.5
• Dimensions (in):5.6 x 5.1 x 2.4
• Release Date:April 28, 2008

• EAN:5099920663629
• ASIN:B00156ZWV0

Availability:Usually dispatched within 1-2 business days

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• Behold the sea itself (chorus)
• Today a rude brief recitative (baritone & chorus)
• Flaunt out, O sea, your separate flags of nations (soprano & chorus)
• Token of all brave captains (chorus)
• A pennant universal (baritone, soprano & chorus)
• On the beach, at night, alone (baritone & semi-chorus)
• A vast similitude interlocks all (baritone & chorus)
• III. Scherzo: The Waves (Allegro brillante)
• O vast Rondure, swimming in Space (chorus)
• Down from the gardens of Asia descending (chorus)
• O we can wait no longer (baritone & soprano)
• O thou transcendent (soprano, baritone & chorus)
• Greater than stars or suns (chorus, soprano & baritone)
• Sail forth (chorus, soprano & baritone)
• O my brave Soul (soprano, baritone & chorus)

• I. Lento - Allegro risoluto (molto pesante)
• II. Lento
• III. Scherzo (Nocturne): Allegro vivace
• IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto)
• I. Fantasia (Variazioni senza tema)
• II. Scherzo alla marcia (per stromenti a fiato) (Allegro alla marcia)
• III. Cavatina (per stromenti ad arco) (Lento espressivo)
• IV. Toccata (Moderato maestoso)

• I. Molto moderato
• II. Lento moderato
• III. Moderato pesante
• IV. Lento [with soprano solo]
• I. Allegro
• II. Andante moderato
• III. Scherzo (Allegro molto) -
• IV. Finale (Allegro molto) con epilogo fugato (Con anima)

• I. Rondo pastorale (Allegro moderato)
• II. Minuet and Musette (Allegro moderato)
• III. Finale: Scherzo (Presto - Lento - Presto)
• I. Preludio (Moderato - Allegro - Tempo I)
• II. Scherzo (Presto misterioso)
• III. Romanza (Lento)
• IV. Passacaglia (Moderato - Allegro - Tempo primo - Tempo del Preludio)

• I. Allegro -
• II. Moderato -
• III. Scherzo (Allegro vivace) -
• IV. Epilogue (Moderato)
• I. Moderato maestoso
• II. Andante sostenuto
• III. Scherzo (Allegro pesante)
• IV. Andante tranquillo

• Serenade to Music (choral version)
• I. Prelude (Andante tranquillo) -
• II. Scherzo ostinato (Presto)
• III. Intermezzo (Homage to Henry Hall) (Andante con moto)
• IV. Fantasia (Allegro)
• I. Prelude (Andante maestoso)
• II. Scherzo (Moderato)
• III. Landscape (Lento)
• IV. Intermezzo (Andante sostenuto)
• V. Epilogue (Alla marcia moderato, non troppo allegro)

• I. Overture
• II. Entr'acte
• III. March Past of the Kitchen Utensils
• IV. Entr'acte
• V. Ballet and Final Tableau
• Prelude
• Fugue
• I. Toccata (Allegro moderato) -
• II. Romanza (Lento) -
• III. Fuga cromatica (Allegro) con
• finale alla tedesca

• I. Toccata (Allegro moderato) -
• II. Romanza (Lento) -
• III. Fuga cromatica (Allegro) con
• finale alla tedesca
• Introduction -
• Saraband of the Sons of God
• Scene II: Satan's Dance of Triumph
• Scene III: Minuet of the Sons of Job and Their Wives
• Scene IV: Job's Dream -
• Scene V: Dance of the Three Messengers
• Scene VI: Dance of Job's Comforters -
• Elihu's Dance of Youth and Beauty -
• Pavane of the Sons of the Morning
• Galliard of the Sons of the Morning -
• Altar Dance -
• Scene IX: Epilogue

• Serenade to Music (original version with 16 soloists)
• I. March (Seventeen Come Sunday)
• II. Intermezzo (My Bonny Boy)
• III. March (Folk Songs from Somerset)
• Norfolk Rhapsody No. 1
• Fantasia on 'Greensleeves'
• In the Fen Country
• The Lark Ascending

• Fantasia on a Theme by Thomas Tallis
• Sea Songs - March (military band)
• I. March (Seventeen Come Sunday)
• II. Intermezzo (My Bonny Boy)
• III. March (Folk Songs from Somerset)
• Dawn Patrol (from the film Coastal Command)
• I. Intrada (Largo)
• II. Burlesca ostinata (Allegro moderato)
• III. Sarabande (Lento)
• IV. Scherzo (Allegro: tempo di valse)
• V. March (A la marcia) and Reprise
• Romance in D flat for harmonica with strings and pianoforte
• I. Prelude (Allegro moderato)
• II. Romanza (Andante sostenuto)
• III. Finale: Rondo alla tedesca (Allegro)

• Serenade to Music (orchestral version)
• The Poisoned Kiss - Overture
• (Allegro moderato)
• Pipe Dance
• Bowl Dance
• Morris Jig: 'Go and 'list for a sailor'
• Folk Song: 'A Bold Young Farmer'
• Folk Tune: 'The Jolly Thresherman'
• Solo Jig
• Easter
• I got me flowers
• Love bade me welcome
• The Call [baritone only]
• Antiphon [chorus only]
• Prelude on an Old Carol Tune
• The Running Set
• Prelude: 49th Parallel
• Sea Songs - March (sym. orch.)

• Theme: Andante maestoso
• Variation I: Poco tranquillo
• Variation II: Tranquillo cantabile
• Variation III: Allegro
• Variation IV: Canon (Allegro)
• Variation V: Moderato sostenuto
• Variation VI: Tempo di valse
• Variation VII: Arabesque (Andante sostenuto)
• Variation VIII: Alla polacca
• Variation IX: Adagio
• Variation X: Fugato (Allegro moderato e risoluto)
• Variation XI: Chorale
• 1. Eventide (melody by W. H. Monk)
• 2. Dominus regit me (melody by J. B. Dykes)
• I. Allegro pesante
• II. Adagio
• III. Presto
• 2. Rhosymedre (melody by J. D. Edwards, 1805-1885)
• 3. Hyfrydol (melody by R. H. Prichard, 1811-1887)
• I. Allegro moderato
• II. Minuet and Trio (Tempo di minuetto)
• III. Romance (Andante sostenuto)
• IV. Finale: Rondo capriccioso (Allegro molto - Pochettino più mosso)

• I. Fantasia (Allegro giusto)
• II. Scherzo (Allegro furioso, ma non troppo)
• III. Tema con variazioni
• I. Prelude (Lento ma non troppo)
• II. Scherzo (Prestissimo)
• III. Alla sarabanda (Allegro moderato)
• IV. Burlesca (Allegro moderato)
• 1. Lovely on the Water (Adagio)
• 2. Spurn Point (Andante sostenuto)
• 3. Van Dieman's Land (Larghetto)
• 4. She borrowed some of her mother's gold (Lento)
• 5. The Lady and the Dragoon (Andante tranquillo)
• 6. As I walked over London Bridge (Allegro vivace)
• I. Prelude (Allegro appassionato)
• II. Romance (Largo)
• III. Scherzo (Allegro)
• IV. Epilogue: Greetings from Joan to Jean (Andante sostenuto)

• Toward the Unknown Region - A song for chorus and orchestra
• I. 'Agnus Dei' (Lento) -
• II. 'Beat! beat! drums!' (Allegro moderato) -
• III. Reconciliation (Andantino) -
• IV. Dirge for Two Veterans (Moderato alla marcia) -
• V. 'The Angel of Death has been abroad' (L'istesso tempo) -
• VI. 'O man greatly beloved'
• Fantasia (quasi variazione) on the Old 104th
• Magnificat

• (Lento)
• Go, for they call you, Shepherd
• Here will I sit and wait
• Screen'd is this nook
• That sweet city
• Come, let me read
• Or in my boat I lie
• And once, in winter
• But what - I dream!
• No, no, thou hast not felt
• Runs it not here
• Needs must I, with heavy heart
• Soon will the high Midsummer pomps
• He hearkens not!
• Never more
• Yes, thou art gone!
• Despair I will not
• Why faintest thou?
• Whitsunday Hymn (No. 3 of Three Choral Hymns)
• 1. Sicut Lilium inter spinas (Lento) -
• 2. Jam enim hiems transiit (Andante con moto) -
• 3. Quaesivi quem diligit anima mea (Lento - Allegro moderato) -
• 4. En lectulum Salomonis (Moderato alla marcia) -
• 5. Revertere, revertere Sulamitis! (Andante quasi lento) -
• 6. Pone me ut signaculum (Moderato tranquillo)
• I was in the spirit (Lento)
• And I saw Heaven opened (Allegro)
• And I saw an angel standing in the sun (Meno mosso)
• Babylon the great is fallen (Lento)
• Rejoice over her O Heavens (Allegro moderato)
• And I saw a new heaven (Adagio)
• Therefore are they before the throne of God (Poco meno largo)
• And I saw a pure river
• Holy, Holy, Holy (Andante sostenuto)
• Heaven and earth are full of Thy glory (Poco animato)

• 1. Ballad: The Tunning of Elinor Rumming
• 2. Intermezzo: My Pretty Bess
• 3. Burlesca: Epitaph on John Jayberd of Diss
• 4. Romanza: Jane Scroop (Her Lament for Philip Sparrow)
• 5. Scherzo: Jolly Rutterkin
• Benedicite
• Five Variants of 'Dives and Lazarus'

• This is the truth sent from above -
• Come all you worthy gentlemen -
• On Christmas night all Christians sing -
• God bless the ruler of this house
• I. Prologue: Nowell! Nowell!
• II. Narration: Now the birth of Jesus Christ -
• III. Song: It was the winter wild
• IV. Narration: And it came to pass in those days
• V. Choral: The blessed son of God
• VI. Narration: And there were in the same country
• VII. Song: The Oxen (Christmas Eve, and twelve of the clock)
• VIII. Narration: And the shepherds returned
• IX. Pastoral: The shepherds sing
• X. Narration: But Mary kept all these things
• XI. Lullaby: Sweet was the song the Virgin sang
• XII. Hymn: Bright portals of the sky
• XIII. Narration: Now when Jesus was born
• XIV. The March of the Three Kings: From kingdoms of wisdom -
• XV. Choral: No sad thought his soul affright
• XVI. Epilogue: In the beginning was the Word

• This is the truth sent from above
• Come all you worthy gentlemen
• On Christmas night all Christians sing
• God bless the ruler of this house
• Yorkshire Wassail Song (We've been awhile a-wandering)
• i. The Conspiracy (Shakespeare)
• II. Drinking Song (John Still or William Stevenson)
• III. Falstaff and the Fairies (Shakespeare, Ravenscroft and Lyly)
• IV. Wedding Chorus (Ben Johnson)
• V. Epilogue (attrib. Campion)
• 1. The Vagabond
• 2. Let beauty awake
• 3. The Roadside Fire
• 4. Youth and Love
• 5. In Dreams
• 6. The infinite shining heavens
• 7. Whither must I wander
• 8. Bright is the ring of words
• 9. I have trod the upward and the downward slope
• I. On Wenlock Edge
• II. From far, from eve and morning
• III. Is my team ploughing?
• IV. Oh, when I was in love with you
• V. Bredon Hill
• VI. Clun

• O, clap your hands
• Kyrie
• Gloria
• Credo
• Sanctus - Osanna I - Benedictus - Osanna II
• Agnus Dei
• All people that on earth do dwell (Old Hundredth)
• O taste and see
• Te Deum in G
• For all the saints (Sine nomine)
• 1. Bryn Calfaria (melody by W. Owen, 1814-1893)
• 2. Rhosymedre (melody by J. D. Edwards, 1805-1885)
• 3. Hyfrydol (melody by R. H. Prichard, 1811-1887)
• The Truth from Above
• O little town of Bethlehem (v.3 arr. Ledger)
• Joseph and Mary
• And all in the morning
• Alleluya, sing to Jesus (Hyfrydol) [last verse omitted]
• Come down, O Love divine (Down Ampney)
• All people that on earth do dwell (The Old Hundredth)

• Lord! Come away (J. Taylor)
• Who is this fair one? (I. Watts)
• Come Love, come Lord (R. Crashaw)
• Evening Hymn (translated R. Bridges)
• Your eyën two
• So hath your beauty
• Since I from love
• 3. The New Ghost
• 4. The Water Mill
• 1. Infant Joy
• 2. A Poison Tree
• 3. The Piper
• 4. London [oboe tacet]
• 5. The Lamb
• 6. The Shepherd [oboe tacet]
• 7. Ah, Sunflower!
• 8.Cruelty has a human heart
• 9. The Divine Image [oboe tacet]
• 10. Eternity
• I. On Wenlock Edge
• II. From far, from eve and morning
• III. Is my team ploughing?
• IV. Oh, when I was in love with you
• V. Bredon Hill
• VI. Clun

• I. Love-Sight
• II. Silent Noon
• III. Love's Minstrels
• IV. Heart's Haven
• V. Death in Love
• VI. Love's Last Gift
• I. The Vagabond
• II. Let beauty awake
• III. The Roadside Fire
• IV. Youth and Love
• V. In Dreams
• VI. The infinite shining heavens
• VII. Whither must I wander
• VIII. Bright is the ring of words
• IX. I have trod the upward and the downward slope

• Linden Lea - A Dorset song
• Joy, Shipmate, Joy!
• A Clear Midnight
• Orpheus with his lute (first setting)
• Hands, Eyes and Heart
• Rest
• 4. The Call (soloist in v.1 Philip Martin)
• Linden Lea - A Dorset song
• 1. The Dark Eyed Sailor
• 2. The Spring Time of the Year
• 3. Just as the tide was flowing
• 4. The Lover's Ghost (Well met, my own true love)
• 5. Wassail Song
• Bushes and Briars
• Loch Lomond (1995 Digital Remaster)
• John Dory
• Greensleeves
• Ward, the Pirate
• Ca' the Yowes
• The Unquiet Grave
• The Seeds of Love
• Early in the Spring
• The Turtle Dove
• An Acre of Land
• Bushes and Briars (men's voices)
• 5. Wassail Song (transcr. for men's voices)

• The Captain's Apprentice
• As I walked out
• Bushes and Briars (voice & piano)
• Geordie
• On Board a Ninety-Eight
• The Ploughman
• The Brewer
• Rolling in the Dew
• The Truth Sent from Above
• Joseph and Mary (voice & piano)
• The Saviour's Love
• Réveillez-vous, Piccars
• Chanson de quête
• Ballade de Jésus Christ
• She's like the swalllow
• The Morning Dew
• The Maiden's Lament
• The Cuckoo
• The Lawyer
• Searching for Lambs
• How cold the wind doth blow (or The Unquiet Grave)
• A Song of Thanksgiving

• I. Prologue (chorus)
• II. Wake now (baritone and chorus)
• III. The Calling of the Bride (chorus)
• IV. The Minstrels (chorus)
• V. Procession of the Bride (chorus)
• VI. The Temple Gates (chorus)
• VII. The Bell Ringers (chorus)
• VIII. The Lover's Song (baritone and chorus)
• IX. The Minstrel's Song (baritone and chorus)
• X. Song of the Winged Loves (chorus)
• XI. Prayer to Juno (baritone and chorus)
• Where is she?
• Where is the bit of new rope? [fig. 12]
• Wait, Nora [4 bars after fig. 22]
• You didn't give him his bit of bread? [2 bars before 28]
• Bartley will be lost now [fig. 35]
• They are all gone now [2 bars after fig. 42]

• (Allegro vivacissimo) - Buy, buy, buy (Cheap-Jack)
• Cold blows the wind on Cotsail (Showman)
• As I was a-walking (Ballad Seller)
• Show me a richer man (John)
• Here come the Morris men (Chorus)
• Life must be full of care (Aunt Jane)
• Sweet little linnet that longs to be free (Hugh)
• Horse-hoofs, horse-hoofs, thunder down the valleys (Hugh)
• In the night-time I have seen you riding (Mary)
• Mary! Mary! (Constable)
• Oh! the devil and Bonyparty (Showman)
• Yes, I! (Hugh)
• Are you ready? Go! (Showman)
• The drover's won! (Showman)
• I tell you there's a price on this man's head (Constable)

• (Lento moderato) - Past four o'clock (Ballad Seller)
• Gaily! I go to die (Hugh)
• Hugh! ... Mary! (Mary/Hugh)
• Sweet little home (Mary)
• Where's she gone to? (Constable)
• Here, queen uncrowned (Mary)
• A trollop from the stocks (John)
• Dropped from the ranks on a winter's night (Sergeant)
• March away, John! (Chorus)
• O foolish girl, o radiant soul! (Hugh)
• Oh! the sky shall be our roof (Hugh/Mary)

• (Allegro vivace) - What-hoa! (Shallow, Evans, Slender, Page)
• How now, Master Shallow (Falstaff, Shallow, Slender, Bardolph, Pistol, Page, Nym)
• O heavens, this is mistress Anne Page (Slender, Page, Falstaff, Shallow, Evans, Simple, Anne)
• Ahem ... I had rather than forty shillings (Anne, Slender)
• Weep eyes, break heart (Anne)
• Do but look on her eyes (Fenton, Anne)
• I see I cannot get thy father's love (Fenton, Anne, Page)
• Vere is dat knave Rugby? (Caius, Rugby, Simple, Mrs Quickly)
• I will myself marry Anne Page (Caius, Mrs Quickly, Rugby, Fenton)
• Master Fenton, I'll be sworn she loves you (Mrs Quickly, Fenton, Bardolph, Nym, Pistol, Host)
• Back and side go bare (Bardolph, Nym, Pistol, Host, Falstaff)
• I spy entertainment in her (Falstaff, Pistol, Nym, Bardolph, Host)
• Wilt thou revenge? (Pistol Nym, Ford)
• Love my wife? I will be patient (Ford)
• When daises pied and violets blue (Mrs Ford, Mrs Page, Ford)
• (Allegro moderato e maestoso)
• Thine own true knight (Mrs Page, Mrs Ford)
• Ask me no reason why I love you (Mrs Ford, Mrs Page, Mrs Quickly)
• Sigh no more, ladies (Mrs Quickly, Mrs Page, Mrs Ford)
• (Maestoso)
• Bardolph, Bardolph, I say! (Falstaff, Bardolph)
• Give your worship good morrow (Mrs Quickly, Falstaff)
• O that joy so soon should waste! (Falstaff)
• There's one Master Brook below (Bardolph, Falstaff, Ford)
• I have long loved her (Ford, Falstaff)
• The dew that lies on roses (Falstaff, Ford)
• Vere is mine host of de Garter? (Caius, Host, Slender, Shallow, Page, Ford)
• (Maestoso)

• (Andante moderato)
• Yet hear me speak (Fenton, Host, Chorus, Anne)
• Beauty clear and fair (Fenton, Chorus, Anne)
• Fair and fair and twice so fair (Chorus, Fenton, Anne, Host)
• But listen, good mine host (Anne, Chorus, Host, Fenton)
• I mun be married a-Sunday (Host, Chorus, Anne, Fenton)
• (Lento) - When we sat down in Papylon (Evans, Simple)
• How now, Master Parson?
• Peace, I say! (Shallow, Page, Slender, Evans, Host, Caius, Simple, Rugby, Ford)
• When I was a bachelor (Host, Omnes except Slender and Ford)
• (Allegro)
• What, John! What, Robert! (Mrs. Ford, Mrs Page, John & Robert, Mrs Quickly)
• Alas my love, you do me wrong (Mrs Ford, Falstaff)
• Have I caught my heavenly jewel (Falstaff, Mrs Ford)
• Mistress Ford! Mistress Ford! (Mrs Quickly, Falstaff, Mrs Ford, Mrs Page)
• When I was a bachelor (Chorus of Men, Mrs Ford, Ford, Robert, Mrs Page)
• Nay, follow him gentleman (Page, Mrs Page, Mrs Ford, Ford, Evans, Caius, Slender, Shallow, Host, Pistol, Bardolph, Nym)
• Mistress Page! ... Mistress Page! (Ford, Page, Mrs Page, Host, Chorus)
• (Andante piacevole)
• Pardon me, wife (Ford, Mrs Ford, Page, Mrs Page, Evans)
• There is an old tale goes (Mrs Page, Page, Mrs Ford, Ford)
• Trib, fairies, trib ... Round about in a fair ring-a (Evans, Chorus, Mrs Page, Page, Caius, Slender, Evans, Mrs Ford)
• (Lento moderato [Greensleeves])
• (Vivace)
• The Windsor bell hath struck twelve (Falstaff, Mrs Ford, Mrs Page, Chorus of Fairies)
• Oo Oo! ... Fairies black, grey, green and white (Chorus of Fairies, Anne, Falstaff, Mrs Quickly)
• Dances of the Fairies (Allegro pesante) - But stay, I smell a man of middle earth (Evans, Falstaff, Host, Pistol, Chorus, Bardolph, Nym, Mrs Quickly)
• Pinch him, pinch him black and blue (Chorus of Fairies, Falstaff)
• (Moderato) - ay, do not fly (Page, Mrs Page, Ford, Mrs Ford, Host, Nym, Bardolph, Pistol, Mrs Quickly, Evans, Falstaff, Shallow, Slender, Simple, Caius) (That shld be 'Nay'...)
• See the chariot at hand (Chorus, Fenton, Page, Anne, Falstaff, Ford, Mrs Page, Mrs Ford)
• Whether men do laugh or weep (Falstaff, omnes)
• Dance (Presto)

• Prologue: Bunyan in Prison
• Scene 1: The Pilgrim meets Evangelist
• Scene 2: The House Beautiful
• Nocturne (Intermezzo)
• Scene 1: The Arming of the Pilgrim
• Scene 2: The Pilgrim meets Apollyon
• Buy! What will ye buy?
• I buy the truth

• Scene 2: The Pilgrim in Prison
• Scene 1: The Pilgrim meets Mister By-Ends
• Entr'acte
• Who so dwelleth
• The Lord is my Shepherd
• Scene 3: The Pilgrim reaches the End of his Journey
• Epilogue
• Act III Scene 1
• Act I Nocturne
• Act IV Scene 1
• Act IV Scene 2
• Act II Scene 1